The life and work of Georgia O’Keeffe has fascinated critics, scholars and art lovers alike since she burst onto the New York art scene in the early 1900s. On June 7, the Sterling and Francine Clark Art Institute adds a chapter to this story with the first exhibition to explore the role of the influential American modernist painter Arthur Dove as the key figure in O’Keeffe’s development of abstraction as a means of artistic expression.
“Dove/O’Keeffe: Circles of Influence” will feature more than 60 major oil paintings, watercolors, drawings and pastels spanning 1910 to the early 1940s. Among the seminal works on view will be O’Keeffe’s “Dark Abstraction,” 1924; “Jack-in-The-Pulpit No. VI,” 1930; Dove’s “Moon,” 1935; and “Fog Horns,” 1929.” The Clark is the exclusive venue for this exhibition, on view through September 7.
Although O’Keeffe and Dove’s approach to imagery ultimately diverged, their shared interest in capturing the ephemeral, fugitive traits of nature †the play of light on water, the transitions of the sun and moon, and the rustle of the wind through grass †was the basis for an abiding commitment to each other’s works and a profound aesthetic connection that lasted throughout their lifetimes.
“George O’Keeffe has captured the imagination of art lovers around the world, not only by virtue of her incredible talent, but through her bohemian spirit as well,” said Clark director Michael Conforti. “The Clark is excited to look for the first time at O’Keeffe’s early Modernist work along with the work of the extraordinary artist Arthur Dove, examining their shared influence on each other’s works.”
From the start of her career, O’Keeffe credited a reproduction of a Dove pastel as her introduction to Modernism. Dove’s use of sensual, abstract forms to evoke the flowing rhythms and patterns of nature had already put him at the forefront of the American Modernist movement by the time O’Keeffe entered the scene around 1916. Works from this period, including Dove’s “Abstraction, No. 3,” 1910‱1, and O’Keeffe’s “No. 24 †Special/No. 24,” 1916‱7, established the innovative aesthetic vision that characterized their early work.
O’Keeffe’s influence on Dove can be seen in the 1930s, when he turned to her early works, particularly her watercolors, such as “Sunrise,” 1916, as means through which to renew his work and vision. Although O’Keeffe had long abandoned the medium, Dove created a number of important works, including “Sunrise #1,” 1936, during this period, when he found his inspiration in what he called O’Keeffe’s “burning watercolors.”
The paintings from the exhibition will be drawn from international public and private collections. The exhibition features works once owned by Alfred Stieglitz, O’Keeffe’s husband and Dove’s longtime friend, as well as works from the Georgia O’Keeffe Museum.
The exhibition is organized by the Clark and is curated by Debra Bricker Balken, an independent curator, specializing in American modernism and contemporary art.
The Clark Institute is at 225 South Street. For information, 413-458-2303 or www.clarkart.edu .
