The Modern Show opened at the 69th Regiment Armory with a gala  preview party on Thursday evening, February 24, in the midst of  yet another winter snow storm. A moderate sized crowd of die-hard  shoppers braved the snow to attend the preview, a benefit for the  69th Regiment Family Support Group, which aides the families of  enlisted soldiers from the armory that are currently serving in  the Middle East.   The evening proved to be an emotional one for many in the crowd  as troops from the armory that were home on temporary leave  appeared at the show to express their gratitude to management,  supporters and dealers alike.   Despite the snow, the opening went well and business seemed to be  good for many of the dealers. A host of decorators made their way  into the show for preview with management commenting that they  were pleased to have seen so many sold tags around the floor as  the evening came to a close.   This is the second time during the past three Stella events that  snow has hampered a show, yet this time, unlike January, the  inconvenience presented by Mother Nature was temporary. By Friday  morning, when the show opened to the public for a three-day run,  the snow was but a memory and it was business as usual at The  Modern Show.   Management reported a “nice crowd” on Friday, and Saturday and  Sunday were really busy. “There was a steady stream of people  right from the time we opened at 11 on both Saturday and Sunday  and the floor was nicely populated straight through till  closing,” commented the Stellas. Management also reported taking  in a record number of credit card transactions totaling more than  $100,000; this aside from the normal cash and check business that  dealers normally do.   One dealer had sold to the bare walls shortly after opening on  Saturday morning as Closeout, a specialty dealer from Kerhonkson,  N.Y., that sells vintage commercial binoculars from the tops of  buildings and ships, had moved all of its 20-plus large-scale  looking devices.   Art Deco seemed to be selling well with furniture and glass  moving briskly from the show.   Abstracta, an Alabama dealer that was new to the show, offered a  wonderful selection of Scandinavian glass from the “golden age of  Scandinavian Modernism” from the 1950s and 60s. The dealer  offered an assortment of artist designed pieces from Orrefors and  Kosta including a face vase designed by Ingabor Lundin in 1969  that was executed in the “Ariel” method. Another of the  interesting items in the booth was a Vicki Lindstrand vase by  Kosta titled “Autumn Leaves.” Chicago dealers Modbag and Moderntimes once again combinedtheir booth to feature cutting-edge materials from the 1950s and1960s with a good selection of designer handbags appealing to thewomen in the crowd, while the men seemingly gravitated toward thestreamline selection of furniture and lighting offered.   Long Beach, Calif., dealer Jeffery Winter Fine Arts had a booth  filled with fine art that ranged from modern figurative paintings  to a selection of pastels by American modernist Virginia  Berresford executed while she was studying in Paris under the  direction of Amedee Ozenfant. The dealer offered a collection of  19 well-executed pastels, all done circa 1925.   Ars Longa Gallery, Hillsborough, N.H., filled its stand with  attractive abstract art that ranged from an interesting oil on  canvas from the New York School of abstract expressionism that  was executed by Lillian Ross Richmond, circa 1955, to a geometric  abstraction by Omer Lassonde, circa 1940. A nice selection of  pottery by Schier was also offered along with a contemporary  pottery sneaker by Lillian Dodson and a nice plaster torso by  Mina Harkavy.   Pottery and porcelains were featured in the booth of Leonard  Davenport including a robust offering of Italian pottery from the  1950s and 60s. Highlighting the selection were three carved and  glazed pottery lions by Guido Gambone, with one particularly  attractive in a multicolored geometric pattern red, blue, brown  and white glaze. The dealer also offered a wonderful porcelain  “imaginary” piece with a flower being supported by winged dragons  by Tom and Sue Benesch titled “Winged Creatures.”   Janet Drucker and her son Bill, Drucker Antiques, Mount Kisco,  N.Y., offered their usual stunning assortment of Georg Jensen  silver, yet for this show the dealers were particularly pleased  with the assortment of jewelry offered. Standouts in the booth  included two pieces designed by Astig Fog in the late 1960s, a  rare eight-drop adjustable necklace and a “hard edge” bracelet.  “I just love her work,” stated Bill Drucker of Fog. “It is always  large and flowing.”   Assioson20 offered a great selection of pottery from the Arts and  Crafts period to Modern. Among the assortment was a Grueby vase,  several pieces of Newcomb, Martin Bros, Clarice Cliff and  Amphora.   New York State dealer Freeform LLC offered a stunning assortment  of Swedish pottery from the 1940s and 1950s with several pieces  by Wilhelm Kage attracting attention. The pieces in the Farsts  style were produced for Gustavsburg and featured cascading forms  with brilliant glazes. Pieces by Axel Salto were also offered  including an unusual vase that was in a Danish ox-blood glaze.  Other vases in budding form by Salto were also available in both  Sung and Fang glazes.   Mode Moderne reported a good show with a nice selection of  furniture lighting and accessories finding new homes. Included in  the booth was a nice Finn Juhl desk that was attracting a great  deal of attention, as were a chair and ottoman by Robsjohn  Gibbings, and a server by the same designer. Bridges Over Time, Walden, N.Y., offered a good assortment offun items including a large pair of ameba-form wall lamps that hadbeen used in the Paris Café Brigalle. With a red-painted metal-meshfree-form grill and brass supports holding individual glass tubes,the lights were quite interesting. The dealers also offered a rareset of furniture by a designer that is coming into the limelight,Ernst Schwadron. The Vienna designer from the 1940s executed acommission for the American Crayon Company in 1945 and all of thefurniture was constructed in the shop of Vladimir Kagan. Thedealers offered a settee and chair pictured in the American Crayonshowroom as well as a cabinet and other case pieces.   Kimcherova Gallery also featured a good assortment of furniture  including a Vienna Secession console by Kolman Moser that was  produced, circa 1902, by J.J. Kohn. A Carlo Bugatti hanging  corner cupboard with three shelves and decorated with metal inlay  and embossed copper and bone applications was another item ion  the booth attracting attention.   Westport, Conn., dealer Glen Leroux offered a plush line of  modernist furnishings and a grand selection of jewelry; however,  it was a Paul Frankl cork-top table that was garnering the loin’s  share of attention from the booth.   Stella Management is currently planning a November Modern show  based on the strength of this past one. The next Stella show will  be at the Piers on March 12 and 13.          
 
    



 
						