“Jim Dine, some drawings,” featuring 84 of Dine’s drawings in  watercolor, charcoal, enamel, pastel and other media, will be on  view at the Neuberger Museum of Art from September 18 through  January 8.   Essentially an expressionist with a classical bent, Jim Dine’s  style emphasizes draftsmanship while underscoring the ultimate  importance of emotional content. His images of robes, hearts,  tools and the Venus De Milo, which appear repeatedly in  paintings, prints and sculptures, are legendary.   Using bathrobes and tools as his signature subjects, Dine came to  prominence as a Pop artist in the early 1960s. Beginning in the  1970s, figuration and life drawing became the impetus behind much  of his work and Dine frequently used mixed media and ready-mades  to produce his paintings. He subsequently returned to traditional  painting techniques incorporated with collage, printing, etching  and papermaking.   Many of the works in the exhibition are drawn from the artist’s  own collection and the collection of Arnie Glimcher, Diana  Michener and PaceWildenstein, New York. They include large-scale  drawings as well as more typical full sheet size drawings.   Dine indicates that he does not try to reproduce what an object  looks like but strives to capture its essence. “My life is really  a history of observing forms and taking in imagery. I don’t mean  in a photographic way, I mean in a way of feeling them  structurally,” Dine writes in the catalog that accompanies the  exhibition.   Dine was born in 1935 in Cincinnati, Ohio. He attended University  of Cincinnati and the Boston Museum of Fine Arts School and in  1957, he received a BFA degree from the University of Ohio. In  1958, he was lured away from the graduate program at Ohio  University by the excitement of the New York art scene. Dine  actively sought out and befriended many of his already  established contemporaries, including Jasper Johns, Claes  Oldenburg, Allan Kaprow and Larry Rivers.   His first involvement with the art world occurred during the  Happenings staged by Allan Kaprow in 1959-60, in which artists  actively exchanged ideas, sometimes resulting in a change of  focus or content in an individual’s work.   “Jim Dine, some drawings” is curated by Stephanie Wiles,  director, Allen Memorial Art Museum, Oberlin College, with Jim  Dine. A full color publication of the exhibition featuring essays  by Jim Dine and Vincent Katz is published by Steidl and available  in the Neuberger Museum of Art Store.   The Neuberger Museum of Art is at 735 Anderson Hill Road. For  information, 914-251-6100.
 
    



 
						