“Best in Show: Staffordshire Dogs from the Collection” is on view at the Lora Robins Gallery of Design from Nature, University of Richmond Museums, to September 25, 2011. The exhibition highlights the museum’s collection of porcelain dogs from the Nineteenth and Twentieth Centuries.
The decorative dogs originated in Staffordshire, England, a county in the west of the country with a rich heritage of successful potteries. Molded porcelain figures were mass-produced in late Nineteenth Century England, at a time when the production techniques of the Industrial Revolution combined with the decorative style of Victorian England.
Staffordshire potteries produced a huge variety of wares, from china plates to figurines of historical figures to dogs. The middle class became the primary market for reasonably priced Staffordshire dogs. Different breeds, sizes and styles were produced, though the Staffordshire spaniel remains the most widely produced of all dog breeds. The exhibition, featuring Staffordshire dogs ranging in height from 4½ inches to 14 inches and dating from 1845 to the mid-Twentieth Century, is selected from a recent gift to the museum’s permanent collection from Fletcher Stiers, Richmond College Class of 1948, University of Richmond.
In the Nineteenth Century, many small potteries were molding porcelain dogs. Most figures bear no markings to indicate the original maker, which suggests that potters did not differentiate their wares from that of other potters once it was being marketed to the public. Staffordshire County is home to widely successful potteries such as Wedgwood and Minton. But it was a group of smaller potteries, including Sampson-Smith and Parr-Kent, that made a decorative phenomenon out of porcelain canine companions that were considered by the buying public to add warmth to the interior of their homes.
The exhibition features a selection of dogs that illustrate variations in style over time. Several “fairings” are included; these small, simply molded figures got their name because of their use as prizes at fairs. These little spaniels are contrasted with figures like the larger Sadler-Burslem pair, which has the unusual characteristic of a factory mark, dating them to sometime after 1899, which is the year the Sadler-Burslem factory opened. Many dogs in the museum’s collection are single figures that are meant to be paired with a symmetrical dog and placed on the mantel. A few pieces contain groupings, such as the mantelpiece decoration depicting a clock with three dogs surrounding it, which dates to around 1855.
Today, Staffordshire dogs have regained popularity with collectors and antiques dealers. Because most of the dog figures do not indicate the date of their production, several important characteristics of a traditional Nineteenth Century spaniel are emphasized throughout the exhibit. Several changes in production methods in the Twentieth Century led to notable changes in the appearance of Staffordshire dogs, including type of molding, coloring and style of facial features. Collectors and antiques dealers use these characteristics to place Staffordshire dogs appropriately in history.
The Lora Robins Gallery of Design from Nature is located in a separate wing of the Boatwright Memorial Library with its entrance on Richmond Way. For information, www.museums.richmond.edu or 804-289-8276.
