The nationally acclaimed exhibition “The Art of Romare Bearden” is coming to the High Museum of Art. Featuring approximately 130 works, this exhibition is the most comprehensive retrospective ever assembled of Bearden’s distinct art, including many pieces that have been rarely exhibited from private collections. The exhibition runs from February 5 through April 24, and is the last venue for this touring exhibition.

“The Art of Romare Bearden” explores the complexity and scope of Bearden’s evolution as an artist in the Twentieth Century. The retrospective is presented thematically in chronological order and underscores the diverse range of Bearden’s work – paintings; drawings and watercolors; monotypes and edition prints; collages of diverse materials, including fabrics; photographs; and designs for record albums, costumes and stage sets, and book illustrations; and the artist’s only known sculpture.

“Bearden, as an artist of great innovation and masterly technique, reached far beyond the label of African American art with his work,” explained Philip Verre, deputy director of the High Museum of Art. “His approach to and use of collage technique to tell the story of modern African American experience elevate him to a level where all who view his work will discover a meaningful experience.”

Bearden’s work represents the places where he lived and worked: the rural south; northern cities, principally Pittsburgh and New York; and the Caribbean island of St Martin. Bearden’s work also reflects his wide range of interests and explores overlapping themes of religion, ritual practice, everyday life, jazz clubs, history, mythology and literature.

Bearden’s oeuvre of more than 2,000 known works in many media reveals the diverse influences of Western sources ranging medieval stain glass and Italian masters, such as Duccio and Giotto, to Cézanne, Picasso and Matisse, as well as his absorption of African art, Byzantine mosaics, Japanese prints and Chinese paintings.

The sections of the exhibition are Origins, Circa 1964, Mecklenburg Memories, The City and Its Music, Stories, Women, Monotypes, Collaborations, and Late Work.

Highlights include “Berkeley – The City and Its People,” 1973, which measures 10 by 16 feet and is seen in the touring exhibition for the first time outside of the Berkeley City Council chambers where it was installed in 1974; The “Block II,” 1972, an unusual multipanel piece depicting the varied indoor and outdoor life of Harlem; and “Mauritius,” 1969, his only known work of sculpture, which alludes to a martyred Roman soldier, an African recruited from upper Egypt.

On view in the exhibition is also a work from the High’s permanent collection. Bearden’s “Noah, Third Day” was acquired by the museum in 1973. Bearden wrote about the collage saying, “‘Noah Third Day’ represents my continuing interest in the prevalence of ritual. That is, as a young boy in the Baptist church, I’d hear many sermons around such biblical happenings as Noah’s Ark. And what I’ve tried to show is the continuing relationship of these myths throughout the years.”

The exhibition runs concurrently with “Frank Stewart, Romare Bearden: The Last Years” and “Connections: Community and Culture in Self-Taught Art” on view February 5-May 2, at the High Museum of Art’s folk art and photography galleries located downtown. “Frank Stewart, Romare Bearden: The Last Years” showcases 46 images of Bearden, through the eyes of contemporary photographer Stewart. “Connections: Community and Culture in Self-Taught Art” consists of folk art from the High’s permanent collection that explores common themes in the work of self-taught artists and trained artists such as Bearden.

A wide range of films, brochures, concerts, lectures, tours and family and school programs for all ages will be offered throughout the run of the exhibition. A fully illustrated exhibition catalog is available for purchase in the gift shop.

The High is at 1280 Peachtree Street at 16th Street. For information, 404-733-4000 or www.High.org.